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authorBlaise Thompson <blaise@untzag.com>2018-04-16 13:32:20 -0500
committerBlaise Thompson <blaise@untzag.com>2018-04-16 13:32:20 -0500
commit798bd484137439bf1d0752ddde82bf49da4af6b7 (patch)
tree030e73d1844a3d98226da55170af15ade862b584 /opa/chapter.tex
parent6579cbe6381ee4bb805a6d5b5cc5fbd249daa9f2 (diff)
2018-04-16 13:32
Diffstat (limited to 'opa/chapter.tex')
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1 files changed, 5 insertions, 4 deletions
diff --git a/opa/chapter.tex b/opa/chapter.tex
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--- a/opa/chapter.tex
+++ b/opa/chapter.tex
@@ -121,7 +121,7 @@ After the poweramp, the output signal and idler can be sent through appropriate
optionally, mixed further in three subsequent mixing stages to create all of the ranges seen in
\autoref{opa:fig:ranges}. %
Each of these mixing stages has only crystal angle tunability. %
-I describe my strategy for mixer tuning in \autoref{opa:sec:mixer}. %
+I describe my strategy for mixer tuning in \autoref{opa:sec:mixers}. %
It is important to realize that the total conversion efficiency for each output color varies wildly
over all of the different mixing strategies. %
@@ -180,7 +180,8 @@ I then search along that contour in \emph{intensity} space to find the motor pos
maximum intensity for that color. %
Finally I fit a smooth spline through those chosen values to generate the output curve. %
-A representative preamp tune procedure output image is shown in \autoref{fig:autotune_preamp}. %
+A representative preamp tune procedure output image is shown in
+\autoref{opa:fig:autotune_preamp}. %
This is an automatically generated image from PyCMDS. %
The thick black line is the final output curve. %
The dark grey lines are the contours of constant color. %
@@ -233,14 +234,14 @@ dimensions (this is especially true at the edge output colors). %
In the poweramp, the increased dimensionaity makes it too expensive to do a full multidimensional
tuning procedure. %
Instead we emply an iterative procedure as diagrammed below. %
-\autoref{fig:opa:poweramp_flowchart} diagrams this iterative procedure. %
+\autoref{opa:fig:poweramp_flowchart} diagrams this iterative procedure. %
We always end the iteration(s) with C2 so that the OPA's color calibration is as good as
possible. %
Typically only one iteration is required but multiple iterations may be necessary if dramatic OPA
realignment has occurred. %
In total, poweramp tuning typically takes less than 1 hour. %
-Representative procedure output images for D2 (\autoref{op:fig:d2}) and C2 (\autoref{opa:fig:c2})
+Representative procedure output images for D2 (\autoref{opa:fig:d2}) and C2 (\autoref{opa:fig:c2})
are shown. %
For the D2 figure, the lower panel shows the intensity of the data taken. %