2018-04-09 00:24

1 files changed, 41 insertions, 24 deletions

diff --git a/opa/chapter.tex b/opa/chapter.tex
index a57847a..2918e94 100644
--- a/opa/chapter.tex
+++ b/opa/chapter.tex
@@ -16,6 +16,8 @@
 

 \clearpage

 

+\section{Introduction}  % =========================================================================

+

 In frequency-domain Multi-Resonant Coherent Multidimensional Spectroscopy (MR-CMDS), automated

 Optical Parametric Amplifiers (OPAs) are used to actively scan excitation color axes. %

 To accomplish these experiments, exquisite OPA performance is required. %

@@ -36,22 +38,20 @@ The major challenges in automated OPA tuning are:
   \item Optimization metrics are not necessarily separable along motor dimensions.

 \end{enumerate}

 

-\section{Introduction}  % =========================================================================

-

 \section{TOPAS-C}  % ==============================================================================

 

-% TODO: introduction to the internal design of the OPA

+[INTRODUCTION TO THE TOPAS-C]

 

-\section{Preamp}  % ===============================================================================

+% TODO: introduction to the internal design of the OPA

 

 \begin{figure}

-  \includegraphics[width=\textwidth]{opa/preamp}

-  \caption{

-    CAPTION TODO

+  \caption[CAPTION TODO]{

+    CAPTION TODO: TOPAS-C FACTORY POWER CURVES

   }

-  \label{opa:fig:preamp}

 \end{figure}

 

+\section{Preamp}  % ===============================================================================

+

 In TOPAS-C OPAs, a small portion of input light is used to generate a signal seed in a BBO crystal

 ``C1''.  %

 A motorized delay stage ``D1'' is used to temporally overlap a particular color in chirped white

@@ -66,14 +66,6 @@ shown below.  %
 

 % TODO: procedure

 

-\begin{figure}

-  \includegraphics[width=\linewidth]{opa/autotune_preamp}

-  \caption{

-    CAPTION TODO

-  }

-  \label{opa:fig:autotune_preamp}

-\end{figure}

-

 A representative preamp tune procedure output image is shown in \autoref{fig:autotune_preamp}.  %

 The thick black line is the final output curve.  %

 The dark grey lines are the contours of constant color.  %

@@ -82,6 +74,22 @@ The colorbar shows the Delaunay-interpolated intensity values for each motor pos
 Preamp tuning takes less than 20 minutes, in large part due to a NIR array detector which collects

 the full spectrum at each motor position.  %

 

+\begin{figure}

+  \includegraphics[width=\textwidth]{opa/preamp}

+  \caption{

+    CAPTION TODO

+  }

+  \label{opa:fig:preamp}

+\end{figure}

+

+\begin{figure}

+  \includegraphics[width=\linewidth]{opa/autotune_preamp}

+  \caption{

+    CAPTION TODO

+  }

+  \label{opa:fig:autotune_preamp}

+\end{figure}

+

 \section{Poweramp}  % =============================================================================

 

 \begin{figure}

@@ -120,6 +128,14 @@ In total, poweramp tuning typically takes less than 1 hour. %
 Representative procedure output images for D2 (\autoref{op:fig:d2}) and C2 (\autoref{opa:fig:c2})

 are shown.  %

 

+For the D2 figure, the lower panel shows the intensity of the data taken.  %

+Note the thick grey line, which represents the chosen points before the final spline step.  %

+The top panel compares the old tuning curve (thin) with the output tuning curve (thick).  %

+For the C2 image, the bottom panel represents the color of each fit mapped onto detuning.  %

+Each separate marker color represents a different setpoint.  %

+As with D2, the C2 upper panel compares the old tuning curve (thin black) with the output tuning

+curve (colored X's).  %

+

 \begin{figure}

   \includegraphics[width=\textwidth]{opa/d2}

   \caption{

@@ -136,18 +152,19 @@ are shown.  %
   \label{opa:fig:c2}

 \end{figure}

 

-For the D2 figure, the lower panel shows the intensity of the data taken.  %

-Note the thick grey line, which represents the chosen points before the final spline step.  %

-The top panel compares the old tuning curve (thin) with the output tuning curve (thick).  %

-For the C2 image, the bottom panel represents the color of each fit mapped onto detuning.  %

-Each separate marker color represents a different setpoint.  %

-As with D2, the C2 upper panel compares the old tuning curve (thin black) with the output tuning

-curve (colored X's).  %

-

 \section{Mixers}  % ===============================================================================

 

+[DESCRIPTION OF MIXERS]

+

 \section{Generalizability}  % =====================================================================

 

+\begin{figure}

+  \includegraphics[width=\textwidth]{"opa/signal_and_idler_motortune"}

+  \caption[CAPTION TODO]{

+    CAPTION TODO

+  }

+\end{figure}

+

 \section{Future directions}  % ====================================================================

 

 % TODO: discuss Attune
\ No newline at end of file